About In Bani Book One

In Bani Book One Complete Hausa Novels begins inside a large family
compound during a colorful wedding ceremony. While everyone is celebrating, eating,
singing, and dancing, one person is missing: Hamida.

Hamida is not an ordinary stubborn girl. She is quiet, deeply shy, and afraid of crowds.
Her fear makes her run away from the wedding house, causing anger, worry, and confusion
among her family members.

This opening part introduces readers to Hamida, her mother Halimatu, her strict
grandmother Kaka, her father Alhaji Sama’ila, her sister Ayush, and other family members
who play important roles in the emotional drama.

In Bani Book One Story Overview

The story starts in a wedding house filled with women, children, food, music, and
celebration. However, behind the noise of the wedding, Hamida is hiding away because
she cannot face the crowd.

Her grandmother becomes angry and threatens to leave the house if Hamida is not found.
Her father sends for her mother, Halimatu, and orders her to look for Hamida immediately
because Hamida is expected to travel with her sister to Lagos.

Hamida’s mother tries to explain that Hamida has always had a deep fear of crowds, but
the family sees it as stubbornness and embarrassment. This creates a painful conflict
between understanding, discipline, shame, and family expectations.

In Bani Book One English Translation

Women filled the large cemented compound. They were all dressed in the same uniform
fabric. Children and adults moved everywhere, making noise and eating different kinds
of food. Some were eating rice, some were drinking pate, some were eating rice tuwo with
pumpkin soup, while others were eating fried rice and drinking zobo.

At one side, some elderly women were singing and beating calabashes. Other women danced
while people cheered and sprayed money on them. From everything happening there, one
could easily tell that it was a wedding house.

It was a very large house. One had to pass the wedding area first, then go through
another door before reaching the other section they called Grandmother’s section.

Because Grandmother’s section was not very big, there were no people in its courtyard.
Everywhere was clean and neat. The cemented floor shone brightly because of how tidy
the place was. A tap was dripping slowly, showing that whoever used it last had not
closed it properly.

There was only one flat in Grandmother’s section. It had a large sitting room that could
take at least fifty people. The room contained beautiful maroon chairs, a lovely maroon
carpet, and decorative calabashes arranged on the wall. Just by looking at the room,
one would know it belonged to an elderly woman.

A married man sat there dressed in clean white shadda that made him look dignified.
Beside him sat an old woman who was around seventy-nine years old. She wore shiny ankara
sewn into a buba blouse with a wrapper tied over it.

Her feet were covered with red henna, the type commonly known as old women’s henna.
She was fair in complexion, and her eyelashes and eyebrows had turned white because of
old age. Sweat kept forming on her nose. Even with her age, her resemblance to the man
sitting beside her was obvious, showing that she was his mother.

In her elderly voice, full of anger, she said, “Sama’ila, Sama’ila, Sama’ila. You can
see that I have called you three times, right? Wallahi, I am tired. Either you warn
that girl this time, or I will pack my things and leave your house. I will go back to
my village and rest. This is useless behavior.”

The way she complained made the man she called Sama’ila soften his voice.

“Please calm down, my mother.”

“There is no talk of calming down,” she shouted, pointing at him. “Hamida’s bad behavior
has become too much, and her mother is the one supporting her. If not, are people spirits
that she is afraid of gathering with them? Are people witches? The house is filled with
relatives and respected guests. Today is her sister’s wedding, her own sister, Sama’ila,
yet since morning no one has seen the girl. She secretly found a way and escaped.”

She stopped because someone greeted from the entrance.

A beautiful, tall woman with a full figure entered. She was dressed in a beautiful peach
paper lace gown with stonework. Her face showed neither happiness nor sadness. She came
inside and greeted the old woman.

“Welcome, Umma.”

The old woman glared at her without answering. The woman then looked at the man who was
staring at her and said, “I am here, Alhaji. You sent for me.”

Angry and shaking his leg, he asked, “Where is Hamida?”

She remained silent for a moment, looking at him. Then she sighed with worry and said,
“Alhaji, I also do not know where she is.”

“She is lying to you, Sama’ila,” the old woman said. “I swear, this woman is cunning.
She is the one spoiling Hamida. Wallahi, Sama’ila, if she does not find Hamida, I will
leave this house and return to my village. I have more peace there.”

She ended her words breathing heavily as if she had been fighting a war.

The man looked at her helplessly and said, “Come on, Umma. Let me speak. I told you to
calm down. You are not going anywhere.”

She hissed, rolled her eyes, shook her leg, and said, “Fine. Speak then.”

He turned to the woman, who was quietly watching them, and asked calmly, “Halimatu,
where did Hamida go?”

Softly, she replied, “Wallahi, Alhaji, I do not know. I do not know where she went. I
was busy with the wedding guests. I did not even know she was not in the house until
Ihsan came and told me.”

With anger and frustration, he said, “Then go and look for her wherever she is. You
know Umma said she will be the one to accompany her sister to her husband’s house in
Lagos, right? I am telling you to find her and bring her back to this house right away.”

Halimatu released a small sigh while looking at him. Then she shook her head in pain
and turned to leave. But she stopped, looked back at him with eyes that had slightly
changed, and said, “But Alhaji, you know this girl’s problem did not start today. Today
is not the first day we have known that Hamida has agoraphobia. She does not like people.
She fears entering crowds. She has been like this since she was little.”

He angrily cut her off. “Is she still a child? What is your use as her mother? Find
Hamida in whatever way you can. You can see that Umma is angry, and you are wasting
more time. They will come to take Habiba by five o’clock, and it is already three fifteen.”

Slowly, she turned and left the room.

With difficulty, she controlled her face and answered the greetings of the people in
the courtyard as the mother of the bride. She passed through them and entered their own
section, where the sitting room was also filled with many people.

She went through the corridor, opened a room, and entered. A woman who looked very much
like her was sitting in the room, arranging the bride’s luggage.

Halimatu closed the door, entered, and sat on the bed. Immediately, she wiped away the
tears that fell from her eyes.

The woman arranging the luggage quickly dropped what was in her hands, came to her, and
asked, “What is wrong, Maman Ayush?”

Halimatu wiped her eyes while trying to control her breathing. “Yaya, I do not know
what to do with Hamida. Every day, every time, she brings me shame before Alhaji and
Umma. Is it my fault? Did I create her? I have been trying her number, but it is not
connecting. I sent her siblings to the neighbors to look for her, but she has not been
seen.”

She continued, “Yaya, what should I do? I do not know how to change Hamida. I do not
know what kind of girl she is. Imagine, today is her sister’s wedding, yet she ran away
from the house. Where will I find her now? What will I do with my life?”

She ended the statement loudly, tears rolling down her eyes.

Her elder sister, Yaya Lami, who was her only sister in the world, quickly hugged her,
placed her head against her chest, and rubbed her back.

“Enough. Stop crying. Let me try calling her. Maybe it will go through. It is okay.”

Kukkuruku Old Train Station

It was a large train station that had been abandoned for years. It was no longer in use
because a new one had been opened. The place was silent, with no human being around
except an old security man lying on a small mattress. He had placed his large radio
beside his ear, with its antenna pulled out, listening to the afternoon news.

She sat on a small platform close to the railway. She was wearing a black hijab that
reached the ground and covered even her shoes. From where she sat, only the side of her
face could be seen.

She was very fair. She wore white eyeglasses. Her eyelashes were long and very black.
Her lips were small, pink, and dry because she had not applied any lip balm.

Beside her was a small black-and-white MK handbag and about fifty small stones.

Slowly, she removed her right hand from inside the sleeve of the hijab she had wrapped
tightly around herself and placed it on the stones. Her hand was very fair, with long,
slim fingers. Her nails were decorated with red henna.

Slowly, she picked one stone, looked at the railway, and released a loud sigh in a very
thin and sweet voice.

“Our Kaka.”

She threw the stone onto the railway and followed it with her eyes until it landed on
the ground and scattered the stones around it.

Softly, she said, “This stone is just like our Kaka. Wherever she is, she scatters
everything. Our Kaka. She is like a troublesome rooster; her cry never brings peace.
Kaka is the definition of wind. There is no weight in her, only disturbance.”

She picked another stone and threw it. It landed close to the first one.

“This one is Baba. Wherever our Kaka is, he is there. He never jumps over anything she
says. If you are looking for a way to put yourself in trouble with Abba, just offend
Kaka. The Hausa people say, may Allah make hardship easy; an old woman has seen that
her end is near.”

Imaan Book One Complete Hausa Novel

She picked another stone and threw it close to the others.

“Mama. My Mama. My everything.”

She became silent. Then slowly, she said, “Mama is like sugarcane. She is sweet, but
she has no strength to resist.”

She stopped because her phone started ringing inside her bag.

In Bani Book One Novel Details

• Novel Title: In Bani Book One Complete Hausa Novels
• Category: Complete Hausa Novels
• Language: English Translation
• Main Character: Hamida
• Other Characters: Halimatu, Alhaji Sama’ila, Kaka, Yaya Lami, Ihsan, Habiba, Ayush
• Main Themes: Family pressure, fear, shyness, wedding drama, emotional struggle, and self-worth
• Setting: Family compound and Kukkuruku Old Train Station

Continue reading more emotional Hausa stories from our
Complete Hausa Novels collection and explore more
Hausa novels in English translation.

Why You Should Read In Bani Book One Complete Hausa Novels

In Bani Book One Complete Hausa Novels is a touching story for readers
who enjoy emotional Hausa family drama. It shows how fear, shame, and misunderstanding
can affect a young woman inside a family that expects her to behave like everyone else.

The story is also interesting because it starts with a wedding celebration but quickly
reveals the hidden pain of Hamida, making readers eager to know what will happen next.

Frequently Asked Questions About In Bani Book One Complete Hausa Novels

What is In Bani Book One Complete Hausa Novels about?

In Bani Book One Complete Hausa Novels is about Hamida, a shy and
emotionally fragile young woman who struggles with fear of crowds while her family
pressures her to behave like everyone else.

Who is Hamida in In Bani Book One?

Hamida is the main character. She is quiet, beautiful, and afraid of crowded places.
Her condition causes misunderstanding, anger, and family pressure.

Why does Hamida run away from the wedding house?

Hamida runs away because she feels overwhelmed by the crowd at her sister’s wedding.
Her mother explains that she has always feared gatherings since childhood.

Where does Hamida go after leaving the wedding?

Hamida goes to the abandoned Kukkuruku Old Train Station, where she sits alone and talks
to herself using small stones to describe her family members.

Is this an English translation of In Bani Book One?

Yes. This post provides an English translation of
In Bani Book One Complete Hausa Novels while keeping the original title
unchanged for SEO and reader recognition.

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